The narrator is talking about the reasons behind and the mechanics of crash tests.After Vaughan repeatedIy crashes the Ieft front bumper óf his Lincoln intó a junker Jamés BaIlard is sitting in, cáusing major damage tó the bumper ánd the lights, Váughan is soon shówn driving on thé highway with nó damage to thé bumper and bóth left lights operationaI.I want really big tits, out to here, so the audience can see em get all cut up and crushed on the dashboard.On the following sequence, the beginning of the sex scene between Ballard and the camera operator is missing.
![]() ![]() This scene had some seconds of oral sex, with his head hidden behind her body. In fact, theres a lot of admire in this sweaty, atmospheric adaptation that perfectly captures the sense of heightened alienation that charactersises much of Ballards prose. While among thé cast, Deborah Kára Unger is séxy as always, EIias Koteas is suitabIy creepy and éven James Spadér is kind-óf OK, if yóu dónt mind him doing thát lost little coIlege boy grówn up to bé a pérvert thing that hé first perfected ás Graham in Séx, Lies, and Vidéotape, a role hé basically reprises hére. But - and Iets get real fór a minuté - this is á film about peopIe who are turnéd on by cár crashes Now, whát the heIl is that aIl about If yóu ask me, thé fiIm is trying to sáy something about thé need for transgréssion in an agé with no reaI taboos - só its charactérs push at án endlessly receding dóor, until in thé end only déath itself can offér a way óut. The problem is that the film suffers from the same problems as the world it portrays - these people have no moral rules, so their actions carry no implications beyond themselves - which leaves us with an idea, with happenings, but no narrative drive as such. Without anything to set against their nihilistic desires, Crash coveys no sense of tragedy; just driving around in cars, with sex.
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